CHOPIN - SCHUMANN Anniversary Edition 2010, MSR
Classics MS 1361(Distribution: ALBANY USA)
"... this beautifully recorded SACD set is the second
release by Schliessmann I have had the fortune to review. His Goldberg
Variations (Bayer 100326, Mar/Apr 2008) was one of my Critics Choices for
the year. Given my often reinforced memory of his superb Bach pianism, this
immediately caught my attention, and I listened to this first among this
issue's review items. It is his first release on an American label, and it
is beautifully packaged, with exemplary notes by Schliessmann (in
German)... Rarely does any pianist communicate the essence of Chopin with
such an individual conviction as I hear in these stunning performances.
These late works are probably some of the greatest ever composed for the
piano. To perform them well requires both exceptional pianistic skills and a
remarkable intellect. Schliessmann arrives at his own unique
interpretations, with reverence for the past (Cortot, Michelangeli,
Rubinstein, and Horszowski especially). While each phrase is impeccably
shaped, there is an overall thrust to each work that holds everything
together. He uses rubato sparingly, and while he embraces the virtuosity in
the music, it never overrides other musical content. After a half century of
listening to a number of these works, I must say that Schliessmann shed new
light on most of them. His is rarefied Chopin and needs to be heard by all
music lovers... The second disc combines a Bach Partita 2 that is on the
same level as his Goldberg Variations with a thrilling performance of
Schumann's Kreisleriana. Only Horowitz seems as able to capture the
impulsive, rather chaotic character of this work. Where Schliessmann gave
Chopin a firm classical grounding, he shifts gears easily to convey the
quirky, confused nature of late Schumann, which is truly another world of
romantic piano music... The Bach, after a dramatic French Overture opening,
proceeds through the stylized dances with flair, personality and sentiment.
The clarity of articulation, phrasing choices, and subtle dynamic shadings
make a compelling argument that Bach can be played on the piano. The baroque
master himself would undoubtedly fully embrace Schliessmann's performance. I
feel that way about the whole release."
(James Harrington, American Record
Guide [November/December 2010])